{"id":8783,"date":"2020-01-06T17:41:34","date_gmt":"2020-01-06T16:41:34","guid":{"rendered":"https:\/\/festivalpresencecompositrices.com\/?page_id=8783"},"modified":"2024-03-14T20:22:55","modified_gmt":"2024-03-14T19:22:55","slug":"edouard-ferlet","status":"publish","type":"page","link":"https:\/\/festivalpresencecompositrices.com\/edouard-ferlet\/","title":{"rendered":"Edouard Ferlet"},"content":{"rendered":"

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\n\tEdouard Ferlet\t<\/div>[vc_btn title=\u00a0\u00bbPAGE CONCERT\u00a0\u00bb style=\u00a0\u00bbgradient-custom\u00a0\u00bb gradient_custom_color_1=\u00a0\u00bb#ffb58c\u00a0\u00bb gradient_custom_color_2=\u00a0\u00bb#ffb58c\u00a0\u00bb shape=\u00a0\u00bbsquare\u00a0\u00bb size=\u00a0\u00bblg\u00a0\u00bb align=\u00a0\u00bbright\u00a0\u00bb link=\u00a0\u00bburl:https%3A%2F%2Ffestivalpresencecompositrices.com%2Fevent%2Fdivines-heritage%2F|title:Concert%20le%20petit%20prince|target:%20_blank|\u00a0\u00bb][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column_inner][vc_single_image image=\u00a0\u00bb20969″ img_size=\u00a0\u00bblarge\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1709727742783{margin-top: -150px !important;}\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb60px\u00a0\u00bb]
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Biographie<\/h3>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][vc_column_text]C\u2019est en commen\u00e7ant d\u2019improviser sur le piano familial qu\u2019Edouard Ferlet, vers l\u2019\u00e2ge de 7 ans, s\u2019est\u00a0 d\u00e9couvert un go\u00fbt pour la musique, appr\u00e9hend\u00e9e spontan\u00e9ment comme pur plaisir des sons et de leur\u00a0 agencement.\u00a0<\/span><\/p>\n

A 18 ans, apr\u00e8s son bac musique et un passage au conservatoire, il part \u00e9tudier au prestigieux Berklee\u00a0 College Of Music et obtient en 1992 de son dipl\u00f4me en \u201cJazz Composition\u201d \u2014 agr\u00e9ment\u00e9 du prix du\u00a0 meilleur pianiste de jazz de sa promotion, le \u201cBerklee jazz performance award\u201d\u00a0<\/span><\/p>\n

De retour en France il acquiert une solide exp\u00e9rience dans le domaine de la composition gr\u00e2ce \u00e0 la\u00a0 diversit\u00e9 et \u00e0 la vari\u00e9t\u00e9 de ses commandes pour l\u2019audiovisuel. Son c\u0153ur reste profond\u00e9ment anim\u00e9\u00a0 par le partage de sa musique \u00e0 travers les concerts et les enregistrements. Une vingtaine d\u2019albums\u00a0 sous son nom et plus de 200 compositions qui ont \u00e9t\u00e9 \u00e9dit\u00e9es, enregistr\u00e9es et jou\u00e9es en public.\u00a0<\/span><\/p>\n

Sa musique attire l\u2019attention de la critique par son m\u00e9lange original de swing et de raffinement formel.\u00a0 Une \u0153uvre r\u00e9fl\u00e9chie, dans laquelle le pianiste d\u00e9finit plus clairement encore ses territoires esth\u00e9tiques\u00a0 et idiomatiques, en une musique lyrique relevant sans conteste du jazz moderne mais laissant\u00a0 percevoir, notamment dans le souci du son, une influence subtile de la tradition classique occidentale\u00a0 habilement resong\u00e9e.\u00a0<\/span><\/p>\n

C\u2019est l\u2019association f\u00e9conde et durable avec le contrebassiste Jean-Philippe Viret en compagnie du\u00a0 batteur Antoine Banville, puis de Fabrice Moreau qui va lui offrir l\u2019un de ses principaux vecteurs\u00a0 d\u2019expression et d\u2019exp\u00e9rimentation en trio. (2 victoires du Jazz en 2011 et 2020). IN VIVO est leur 10\u00e8me\u00a0 album et c\u00e9l\u00e8bre leurs 24 ans de fid\u00e9lit\u00e9 musicale.\u00a0<\/span><\/p>\n

Attir\u00e9 conjointement par un go\u00fbt de l\u2019entreprise et un r\u00e9el souci d\u2019ind\u00e9pendance artistique il co-fonde\u00a0 la soci\u00e9t\u00e9 M\u00e9lisse, qui l\u2019accompagne dans ses cr\u00e9ations, concerts, spectacles, albums, \u00e9ditions et\u00a0 ateliers p\u00e9dagogique.\u00a0<\/span><\/p>\n

Depuis son album \u00ab Think Bach \u00bb enti\u00e8rement consacr\u00e9 \u00e0 la musique de Jean-S\u00e9bastien Bach,\u00a0 amoureusement d\u00e9tourn\u00e9e, trafiqu\u00e9e, transfigur\u00e9e il poursuit aujourd\u2019hui son exploration des\u00a0 rapports entre musique du r\u00e9pertoire classique et improvisation en d\u00e9veloppant de nouvelles\u00a0 collaborations avec des musiciens venus d\u2019ailleurs.\u00a0<\/span><\/p>\n

En 2021 parait l\u2019album PIANO\u00efD. Fid\u00e8le \u00e0 son go\u00fbt pour les pas de c\u00f4t\u00e9, les collaborations et les\u00a0 exp\u00e9riences, le pianiste Edouard Ferlet prend \u00e0 nouveau des libert\u00e9s avec les genres pour arpenter des\u00a0 territoires plus proches de la musique contemporaine ou de la pop. Patiemment m\u00fbri au fil des ans\u00a0 autour d\u2019un dispositif autour de 2 pianos, Piano\u00efd trouve des points d\u2019\u00e9quilibre entre composition et\u00a0 improvisation, complexit\u00e9 et simplicit\u00e9, humain et m\u00e9canique, au fil de morceaux o\u00f9 r\u00e9sonnent les\u00a0 \u00e9chos du travail de Philip Glass ou Nils Frahm.\u00a0<\/span><\/p>\n

Au printemps 2022 parait l\u2019album IN VIVO, le dixi\u00e8me album du Trio Viret. 23 ans apr\u00e8s, le trio r\u00e9unit\u00a0 les 2 batteurs de son histoire et rejoue les compositions embl\u00e9matiques de leurs d\u00e9buts : La\u00a0 quadrature du cercle enfin r\u00e9solue !\u00a0<\/span><\/p>\n

\u00c0 l’automne 2022 l\u2019aventure PIANO\u00efD se poursuit ! Apr\u00e8s le succ\u00e8s du premier album et des remixes,\u00a0 Edouard Ferlet reprend le m\u00eame dispositif et dialogue avec ses 2 pianos : un piano m\u00e9canique\u00a0 (Disklavier\u2122) pilot\u00e9 par des contr\u00f4leurs midi, et un piano maitre (Silent\u2122) sur lequel il joue. Un\u00a0 dispositif imagin\u00e9 en collaboration avec le r\u00e9alisateur sonore Joachim Olaya et qui \u00e9tend les possibilit\u00e9s\u00a0 de jeu \u00e0 l\u2019infini \u2026<\/span><\/p>\n

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En savoir plus\u00a0<\/strong><\/p>\n

Site internet d\u2019\u00c9douard Ferlet<\/strong><\/a><\/p>\n

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